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Cadmium Orange (PO 20)


Cadmium Orange (PO 20)

Information: Opaque, Lightfast
Handling Characteristics: Saturated color when used purely and when tinted with white, cadmium orange desaturates immediately when mixed with other colors and cools down in temperature.

Cadmium orange is a difficult color to use in mixtures however it is indispensable when you need a pure orange tint to lay over other layers of paint. Every time I begin to question why I still keep this color out and keep it a regular color on my palette, I encounter a painting moment when I need to lay a pure orange tint on top of an area and it needs to be saturated and a most neutral orange (by this I mean something neither too warm of an orange or two yellow of an orange and an orange that cannot be mixed from other colors).

When painting flesh tones I use pure orange tints on my upper layers of paint, and am always amazed by how these tints lay down and glow above other colors. Cadmium orange also mixes very well with blues or greens when trying to achieve colorful grays. In fact, its tendency to desaturate the moment it is mixed with another color lends itself to making lovely opaque grays.

Row 1:
Name: Cadmium Orange (PO 20)
Manufacturer: Williamsburg Handmade Oil Colors
My thoughts: I have been using the Williamsburg cadmium orange for the longest time, I like how it stays open on the palette for a long while, I like the tinting strength, and most especially I like the pure middle range orange it is. This is a pure pigment oil color made of PO 20, cadmium orange.

Row 2:
Name: Cadmium Orange (PO 20, PR 108)
Manufacturer: Winsor and Newton Artists Oil Colors
My thoughts: the Winsor and Newton cadmium orange is just a slight tint redder than the Williamsburg. Not much but enough to make a slight difference when laying down a pale tint of cadmium orange on top of another layer of paint. One reason why this cadmium orange may stray towards the red spectrum on the color wheel is because it is a mixture of two pigments PO 20 and PR 108, which is cadmium red.

Row 3:
Name: Cadmium Orange (PO 20)
Manufacturer: Vasari Classic Artists Oil Colors
My thoughts: In the autumn of 2016, I got the opportunity to explore using Vasari cadmium orange and it was a luxury. I especially enjoyed the smooth, creamy texture of this paint, the tinting strength is phenomenal. On the color wheel it falls within almost an identical color spectrum as the Windsor Newton cadmium orange. This is a pure pigment oil color made of PO 20, cadmium orange.

If money is no object, I believe I would use Vasari paint, whereas the Williamsburg cadmium orange is a great deal for its price.

Here is an image of my original swatches I did of the cadmium reds and oranges before I began to make the graduated swatches.

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These articles about my color palette and the oil colors I use are the result of my experience and continued exploration. I have purchased all oil colors on my own and I have not received any reimbursement from the mentioned paint manufacturers or art supply stores. The usefulness and perceived attributes expressed here in these articles are my personal opinions.

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My New Garden

“The lesson I have thoroughly learnt, and wish to pass on to others, is to know the enduring happiness that the love of a garden gives.” ( Gertrude Jekyll)

Hello,

It has been a while since I posted here. I find in times when so much is going on and with the ability to share small snippets via Instagram and Facebook, my tendency to share deeply also goes away. However this month I am choosing to slow down, and to start sharing more, in a slower, more meaningful way.

Garden Plan 1st draft
{first draft of my garden plan}

This morning I am going to share with you what has me so excited, my new garden.

The autumn of 2016 was a whirlwind of effort that culminated with the purchase and move to a new home. November and December were all about packing up and physically moving into our new home. December and January were a whirlwind of boxes, gallon paint cans and all the paraphernalia that goes with a rapid push to get some of the rooms of our new home freshly painted and set up for how we want to live. There is still more to do inside however since February, my attention has been turning outside in focusing on how to move my previous garden to my new outdoor space.

This is what I have to work with, a beautiful, large yard that already had an established vegetable patch in the central open area that receives full sun for at least half of the day. I am so excited about what I’m going to grow here.
9032 Buckner backyard 2

9032 Buckner ext backyard 1

{the existing backyard}

The existing vegetable patch will be host to some vegetables, however mainly annual flowers like zinnias, cosmos and sunflowers will go here. The surrounding flowerbeds that I am creating will host my perennial plants.

Garden Plan final design 20170308

{the plan as of today, it may change, but pretty much this is what I am planning on implementing}

As you can see by my notations, I will have a main central garden, based on  classic English cottage gardens, with pebble paths and gathering areas.  The main one will be for meals and hanging out, and a second play space is for Naomi.  She still has her playhouse and sandbox, and this time the flower beds that surround her area will be filled up with flowers and plants of her choice.  Plus in the middle of the two squares that have (4) “L”s in them will be the peach trees she has been asking for.  She loves peaches and since I told her about how my grandpa had a peach tree in his backyard so he could go out and pick sun-ripened peaches, she has latched onto the idea and has been requesting to grow peaches in our backyard.  So this spring we will pick out two peach trees for her.  The Dahlia bed that will run along the north side of the yard may or may not be implemented this year, it all depends on how much I get done this month with regard to the rest of the garden.

Today the garden is still a construction site with some plants already placed with the vast majority of plants still over at the old garden. As you can see, the layout is established with the black garden fabric that denotes where the gravel paths will be. I used the lasagna method of establishing flowerbeds, this utilizes a layer of cardboard placed on top of the turf with a thick layer of compost and leaf mulch placed on top (5 to 6 inches deep). I then place my plants in each flower bed as I have planned and fertilize everything.  I will then layer another layer of mulch on top of everything once things are settled.
9032 Buckner today 20170308-01

9032 Buckner today 20170308-02

9032 Buckner today 20170308-03

March is going to be a crazy month, full of digging, lugging and relocating my beloved plants. Some plants are especially sentimental as they are from dear friends and now I almost consider them family.

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Jarrahdale Pumpkin, 20 x 16 inches

Hubbard Pumpkin by Elizabeth Floyd, oil on linen, 20 x 16 inches

Jarrahdale Pumpkin

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Framed Painting – part of my Labor of Love Series
{20″ x 16″ – oil on linen panel}

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Pewter Reflections Painting in Root to Bloom Juried Exhibition

elizabeth-floyd

Tonight, November 11th, 2016, is the opening of the juried exhibition “Root to Bloom – The Places Artists Call Home” at the Principle Gallery here in Alexandria, VA.

I am excited to have my painting Pewter Reflections hanging along side some extraordinary artwork. If you are local, please stop by and check out the exhibition.

Pewter Reflections and Sunflowers by Elizabeth Floyd, 18x24 inches, oil on linen

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Framed Painting
{18″ x 24″ – oil on linen}

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Painting Flowers from Life, a 2-day Workshop

This past weekend, I taught a semi-private workshop that focused on the joys and challenges of painting flowers from life. I was motivated to come up with this specific workshop because when I first began to use flowers in my still-life setups I often had my flowers fade and wilt before I had finished the painting.  And after years of trying out different techniques, I am now able to keep my flowers fresh for the duration of completing most paintings.

20150322 spring-wkshop-demo

{at the beginning of a demonstration}

20150322 spring-wkshop-demo-2

{further along in the demonstration}

Since I first began painting with oils it has always been my goal to paint from life when possible. I just love the immediacy, the sense of excitement and the connection that is built from sharing the same space with my painting subjects. Over the years I have been experimenting and improving upon the ways to extend the life of cut flowers so I would have more time to paint them.

I have read many gardening and flower arranging books, taken classes on flower arranging and even occasionally attended horticultural focused lectures and seminars, all in the goal to learn more and find ways to  include the plants and flowers I love into my artwork.

Over the years, I have picked up enough knowledge and tips that I can typically keep an arrangement looking good long enough to paint from the arrangement for a full five days, sometimes even more. And as I have yet to see any of this information available for artists who are also interested in painting flowers from life, I have put together a workshop that focuses on doing just this, painting seasonal flowers from life.

It was a pleasure to have three students participate in my inaugural workshop this past weekend.

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