I worked on this painting on and off for over 6 weeks. It was a fun and challenging piece, to capture the different colors, values, and textures of the three very different types of pumpkins. After I had worked on this painting for two sessions, I analyzed the composition and decided to manipulate the hierarchy of importance in the painting. I choose to make the large salmon colored pumpkin the prominent item even though it was the farthest back. I did this by minimizing the detail on the front bumpy pumpkin and enhancing the contrast between the three pumpkins, making the greatest value contrasts to be with the salmon pumpkin.