Here are the paintings created during the third week of June.
Even when being by the river different scenes will capture my attention, and the way the leaves glowed yellow in the morning sun was something I wanted to try to capture.
We have had a lot of overcast and rainy days lately and a lot of my focus this week was on trying to capture the fleeting impressions of the sky. In Carlson's
book on landscape painting he encourages you to work from memory, and I think trying to paint the sky as the clouds are constantly changing is pretty close to painting from memory because you have to work from an impression that changes immediately, so if you want to keep the initial composition of how the clouds were, you are engaging your memory.
Another sky study, with the clouds getting more threatening...
After the past few attempts of painting trees I decided to check out a few other landscape artists I admire and see how they block-in and paint trees, this study was incorporating a technique I read about in Kevin Macpherson's
book on page 58.
Another sky/cloud study.
Another sky/cloud study, sometimes I deliberately know what I am going after and try to achieve it, however with these two studies, I just wanted to experiment with shapes and edges.
I thought you may be interested in seeing my setup when working outside at the picnic tables that are in the park areas along the Potomac.
This is the simple setup where I head out only with my cigar box pochade and other equipment, like brushes, turp jar, and paper towels. The square piece of card board has been shellaced so it can handle multiple applications of tape that attaches the sheets of gessoed watercolor paper.